THE SYMPATHETIC EXECUTION;

or, The Paracelsus Trick. The name of Theophilus Paracelsus is given to this trick, because it is pretended that a man so killed his brother by stabbing his picture with a dagger. The anecdote, which undoubtedly is not related by contemporary historians, nor by eye-witnesses, should be considered without doubt as apocryphal, though founded on a belief widely current in the age of romance.

A puppet is shown to the audience, and they are allowed to handle it, to see that the wax neck is perfectly solid. A ribbon is tied in the middle around the doll's neck, and each end of the ribbon is fastened to a pillar, two of these standing parallel on your magic table. The stage and room are then darkened, and a lamp, with a reflector placed behind the pendent pnppet, casts its shadow upon the stage at a distance from it. Drawing a sword, the performer recites some lines, treating of the doctrine of sympathetic action by which injury done to a representative of a living person in wax or on canvas was felt by the original himself, drawing freely on the annals of witchcraft for a telling story. Then flourish your sword, and say that the modern conjurer has progressed far beyond the necromancers of yore, as by action on the mere shadow of an object, that object will suffer the like fate. So saying, draw your sword across the neck of the shadow, when simultaneously the head of the puppet will be severed and fall on the table.

Explanation.—The head, shoulders, and neck of the doll are indeed of solid wax. The ribbon contains a watchspring with sharpened edges, and in tying the band around the neck, the steel is set "edge on" into the wax. One end of the ribbon is made fast to one of the columns, which is solid; but the other column is hollow. The other end of the ribbon is fastened to a wire running up the second column, which is hollow, though it appears to be wound round the column just like the first end. The wire is carried down into the magic table, and thence to your confederate's hand, under the stage or elsewhere out of sight. When you make the cut, you stamp your foot or speak some agreed-upon signal, and the assistant's jerk to the wire severs the puppet's head.

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